Andrew is an NYC and Chicago based designer, working in a variety of disciplines on projects ranging from theater, opera, and live events, to film and commercial spaces. A native Californian, Andrew received his B.A. from Middlebury College with a degree in architecture, and his M.F.A. from Yale School of Drama. He has participated in the Lincoln Center Directors Lab, is a member of the Wingspace Design Collective, and is currently the Assistant Professor of Set Design at Northwestern University.
Andrew has designed the sets and/or costumes for the world premieres of: Sam Hunter's Clarkston (Dallas Theater Center); Jose Rivera's Another Word For Beauty (Goodman Theatre); Craig Lucas’s Ode to Joy (Rattlestick); Sharr White’s Annapurna (Magic Theatre); Jonathan Tolin’s Buyer & Cellar (Rattlestick); Adam Rapp’s Dreams of Flying, Dreams of Falling (Atlantic Theatre Company); Heidi Shrek’s The Consultant (Long Wharf Theatre); Marco Ramirez’s The Royale (Kirk Douglas); Taylor Mac’s The Lily’s Revenge (Magic Theatre); Mike Lew’s Bike America (The Alliance); Ethan Lipton’s Red Handed Otter (Playwrights Realm); among many others.
Some selected upcoming work includes the world premieres of Boo Killebrew's LETTIE, at Victory Gardens, Mark Shultz's Evocation To Visible Appearance, and Deborah Stein's Marginal Loss - both as part of the Humana Festival at Actors Theater of Louisville. In Opera, is designing a new production of Barber of Seville, for Kentucky Opera, and the world premieres of FLORIDA, at Urban Arias; and American Soldier at Opera Theater of St. Louis.
NYC credits with: Lincoln Center Theater, Roundabout Theater Company, Primary Stages, Atlantic Theatre Company, Rattlestick Playwrights Theatre, The Play Company, Playwrights Realm, Cherry Lane Theatre, Ma-Yi Theatre Company, Barrow Street, Metropolitan Playhouse, Lesser America, The New School, NYMF, Summer Play Festival, and the Daryl Roth II.
Regional credits with: Actors Theater of Louisville, The Alliance, A.C.T., American Players Theater, Asolo Repertory Theater, Bay Street Theater, Curtis Institute of Music, Dorset Theater Festival, The Geffen, The Goodman, Kirk Douglas, Long Wharf Theatre, The Magic Theater, Mark Taper Forum, Marin Theater Company, Milwaukee Repertory Theater, Oregon Shakespeare Festival, Portland Center Stage, Univ. of Rochester, Syracuse Stage, Westport Country Playhouse, Williamstown, The Wilma, & Yale Repertory Theater, among others.
VALUES:
This is a living document – reflecting an ongoing conversation with myself, my collaborators, my community. It also reflects the belief that values can, and should be – aspirational.
CURIOSITY -I believe in being a life-long learner – purposefully seeking out knowledge and wisdom by being open, inquisitive, thoughtful, and reflective. I believe that a life in the arts provides continuous opportunities to explore new horizons, to understand different points-of-view, and to challenge the status-quo. Curiosity extends to appreciating and understanding the classical and foundational elements of our arts practice, but also to bravely seeking out new forms of expression, communication, and presentation. I believe that curiosity is forward thinking and leads to innovation, growth, and change.
ARTISTRY - I view the pursuit of excellence in my individual artistic practice as paramount. I am committed to working towards the highest standards of professionalism, craftmanship, intellectual investigation, and leadership throughout my collaborative efforts and work.
COMMUNITY - My work in both the professional and educational spheres is defined by a belief in service. As such, I frame my work in the performing arts as an act of service, and I believe that theatre is an essential component for societal growth and bonding, and therefore necessary for every community. I believe that selflessness and responsibility are key factors to professionalism and success, and that my work is most rewarding when focused on supporting other artists at the intersection of community, society, and family. My focus on service extends to advocating for, amplifying, and nurturing the work, the points-of-view, and the careers of underrepresented people. That acknowledging and addressing the systemic racism in our culture and community must be a priority to maintaining the integrity and legitimacy of theatrical practice.
TRUTH - I believe it is essential for every artist to pursue truth and self-awareness. I believe that art, and theater, should reflect the society and community it serves, and hold it accountable. I believe that truth ultimately tears down fearful divisions and can forge a common empathy for, and awareness of - the human condition. I believe that self-awareness extends to being cognizant and sensitive to my inherent privilege as a white male and to be thoughtful about the impact of my presence, my words and my actions, despite their intent.
GENEROSITY - I believe that vulnerability, compassion, honesty, and kindness are essential tenets of my personality and key ingredients in my role as a collaborative artist, educator, and leader. I believe that generosity-of-spirit is the cornerstone for collaboration – essential for respecting and appreciating ones’ peers, colleagues, and students. I look for joy in every interaction and relationship, every moment of revelation and collaboration.